Installation 2015: Mein Opa war bei der SS  Collagen, 2013  Zeus' Eye, 2012  Emergency Money for Greek Culture, 2012  The People from Deyang, 2006  Facades 2004  Arbor 2002  Euroshredder 2000  Deconstructed Portraits 1999-2002  Instruments 1998  La Nature Provencale  something's wrong with my ears 1997  Broken Dolls 1997  11-Pinhole Camera 1993-1997  19-Pinhole Panoramas  Cosmic Kitchen 1997  German Border 1996  Window Spaces 1996  Photograms 1995  Hutted Camp 1995  Quicksnaps 1991-1994  Venice Vertical 1994/1996  Venice Panoramics 1994/1996  Sixtorama 1994  Dying Nature 1994  Snail Shell 1994  Tierra Quemada 1993  Travelling Cameras 1991-1996  Garbage Can 1991  A Van As A Camera 1990  lost or stolen artworks

Sixtorama 1994

After or during working with multiple exposure cameras, there were different routs to this series.

The lying woman has been a very important theme in painting, since the Renaissance. I was still resistant to the notion of working on nude photography. At the time, Helmut Newton's nude photography was under heavy discussion, spumed by Germany's leading feminist, Alice Schwarzer. She was arguing against a series where Newton had combined some of his nudes together with landscapes and forrests.

This was when I was experimenting with one of my 19-pinhole panoramas. I still was not able to print these panoramas from a whole length of  35mm film, but was to get one printed in segments by a consumer lab.

Out of that experience I reconsidered the difficulty of perceiving a panorama, which we actually perceive in details, and build together in our mind. Beyond a certain length, human eye is incapable of capturing the full image.

This led me to build six cameras to photograph my girlfriend full length in segments. It became a major research project to study the effects of foreground and background in pinhole photography and to create my own image of the lying beauty. 

 

Thomas Kellner 

1995, Portfolio & artist's book Sistoramas: 

20 bw-prints from 1994,

each 54,0 x 11,5cm / 21,1" x 4,5",

edition 10+1

 

 

 

 

 

 

 

Thomas Kellner: Sixtorama Nr1, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr2, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr3, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr4, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr5, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr6, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr7, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr8, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr9, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr10, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr11, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr12, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr13, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr14, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr15, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr16, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr17, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr18, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr19, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1
Thomas Kellner: Sixtorama Nr20, 1994, bw-print, 54,0x11,5cm / 21,1" x 4,5", edition 10+1