Installation 2015: Mein Opa war bei der SS  Collagen, 2013  Zeus' Eye, 2012  Emergency Money for Greek Culture, 2012  The People from Deyang, 2006  Facades 2004  Arbor 2002  Euroshredder 2000  Deconstructed Portraits 1999-2002  Instruments 1998  La Nature Provencale  something's wrong with my ears 1997  Broken Dolls 1997  11-Pinhole Camera 1993-1997  19-Pinhole Panoramas  Cosmic Kitchen 1997  German Border 1996  Window Spaces 1996  Photograms 1995  Hutted Camp 1995  Quicksnaps 1991-1994  Venice Vertical 1994/1996  Venice Panoramics 1994/1996  Sixtorama 1994  Dying Nature 1994  Snail Shell 1994  Tierra Quemada 1993  Travelling Cameras 1991-1996  Garbage Can 1991  A Van As A Camera 1990  lost or stolen artworks

inbetween 2 windows

Thomas Kellner: Fensterraum I-9, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum II-5, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum II-8, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum V-7, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum V-10, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VI-1, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VI-10, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VII-2, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VII-5, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VII-10, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VIII-2, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3
Thomas Kellner: Fensterraum VIII-8, 1996, bw-print, 20,0 x 20,0cm / 7,8" x 7,8", edition 20+3

windowspaces

The set of images was first of all meant as a very first test series for my newly built 6x6 pinhole camera, which I intended to use for my German border project.

As a student working in a former brewery building with its old windows, I was always disapointed about how they had changed it from the inside especially with putting new windows inside and creating these ugly spaces between the old and the new, bewteen the outside and the inside.

These spaces on all 4 floors of the building had become a modern graveyard for all the insects enetering through wholes in the outside woindows attracted by the inside lights at night, and would not find their way out anymore.

Inside and outside, light and darkness, distance and closeness, the blurry and the clear life and death combined themselves so obviuously that I started this project.

The pinhole camera was perfect to highlightenthe theme of space the black and white built the right contrast for the difference of the glaas, some clear, some milky unclear, building the contrast bewteen depth and and no depth but only blank surface of greyness

>>> pricing for the window scenes